TWO:The glowing enthusiasm of Plato is, however, not entirely derived from the poetic traditions of his native city; or perhaps we should rather say that he and the great writers who preceded him drew from a common fount of inspiration. Mr. Emerson, in one of the most penetrating criticisms ever written on our philosopher,129 has pointed out the existence of two distinct elements in the Platonic Dialoguesone dispersive, practical, prosaic; the other mystical, absorbing, centripetal. The American scholar is, however, as we think, quite mistaken when he attributes the second of these tendencies to Asiatic influence. It is extremely doubtful whether Plato ever travelled farther east than Egypt; it is probable that his stay in that country was not of long duration; and it is certain that he did not acquire a single metaphysical idea from its inhabitants. He liked their rigid conservatism; he liked their institution of a dominant priesthood; he liked their system of popular education, and the place which it gave to mathematics made him look with shame on the swinish ignorance of his own countrymen in that respect;130 but on the whole he classes them among the races exclusively devoted to money-making, and in aptitude for philosophy he places them far below the Greeks. Very different were the impressions brought home from his visits to Sicily and204 Southern Italy. There he became acquainted with modes of thought in which the search after hidden resemblances and analogies was a predominant passion; there the existence of a central unity underlying all phenomena was maintained, as against sense and common opinion, with the intensity of a religious creed; there alone speculation was clothed in poetic language; there first had an attempt been made to carry thought into life by associating it with a reform of manners and beliefs. There, too, the arts of dance and song had assumed a more orderly and solemn aspect; the chorus received its final constitution from a Sicilian master; and the loftiest strains of Greek lyric poetry were composed for recitation in the streets of Sicilian cities or at the courts of Sicilian kings. Then, with the rise of rhetoric, Greek prose was elaborated by Sicilian teachers into a sort of rhythmical composition, combining rich imagery with studied harmonies and contrasts of sense and sound. And as the hold of Asiatic civilisation on eastern Hellas grew weaker, the attention of her foremost spirits was more and more attracted to this new region of wonder and romance. The stream of colonisation set thither in a steady flow; the scenes of mythical adventure were rediscovered in Western waters; and it was imagined that, by grasping the resources of Sicily, an empire extending over the whole Mediterranean might be won. Perhaps, without being too fanciful, we may trace a likeness between the daring schemes of Alcibiades and the more remote but not more visionary kingdom suggested by an analogous inspiration to the idealising soul of Plato. Each had learned to practise, although for far different purposes, the royal art of Socratesthe mastery over mens minds acquired by a close study of their interests, passions, and beliefs. But the ambition of the one defeated his own aim, to the destruction of his country and of himself; while the other drew into Athenian thought whatever of Western force and fervour was needed for the accomplishment of its205 imperial task. We may say of Plato what he has said of his own Theaettus, that he moves surely and smoothly and successfully in the path of knowledge and inquiry; always making progress like the noiseless flow of a river of oil;131 but everywhere beside or beneath that placid lubricating flow we may trace the action of another current, where still sparkles, fresh and clear as at first, the fiery Sicilian wine.
FORE:"I am afraid I was as foolish as that," Bruce said, with a faint smile. "That sort of people seem to know when one is under the weather. And there was one very plausible fellow who sent me a confidential letter. I fell into the trap, and if I can't find 500 tomorrow I am ruined."Apart from legendary reputations, there is no name in the worlds history more famous than that of Socrates, and in the history of philosophy there is none so famous. The only thinker that approaches him in celebrity is his own disciple Plato. Every one who has heard of Greece or Athens has heard of him. Every one who has heard of him knows that he was supremely good and great. Each successive generation has confirmed the reputed Delphic oracle that no man was wiser than Socrates. He, with one or two others, alone came near to realising the ideal of a Stoic sage. Christians deem it no irreverence to compare him with the Founder of their religion. If a few dissentient voices have broken the general unanimity, they have, whether consciously or not, been inspired by the Socratic principle that we should let no opinion pass unquestioned and unproved. Furthermore, it so happens that this wonderful figure is known even to the multitude by sight as well as by name. Busts, cameos, and engravings have made all familiar with the Silenus-like physiognomy, the thick lips, upturned nose, and prominent eyes which impressed themselves so strangely on the imagination of a race who are accused of having cared for nothing but physical beauty, because they rightly regarded it as the natural accompaniment of moral loveliness. Those who wish to discover what manner of mind lay hid beneath this uninviting109 exterior may easily satisfy their curiosity, for Socrates is personally better known than any other character of antiquity. Dr. Johnson himself is not a more familiar figure to the student of literature. Alone among classical worthies his table-talk has been preserved for us, and the art of memoir-writing seems to have been expressly created for his behoof.79 We can follow him into all sorts of company and test his behaviour in every variety of circumstances. He conversed with all classes and on all subjects of human interest, with artisans, artists, generals, statesmen, professors, and professional beauties. We meet him in the armourers workshop, in the sculptors studio, in the boudoirs of the demi-monde, in the banqueting-halls of flower-crowned and wine-flushed Athenian youth, combining the self-mastery of an Antisthenes with the plastic grace of an Aristippus; or, in graver moments, cheering his comrades during the disastrous retreat from Delium; upholding the sanctity of law, as President of the Assembly, against a delirious populace; confronting with invincible irony the oligarchic terrorists who held life and death in their hands; pleading not for himself, but for reason and justice, before a stupid and bigoted tribunal; and, in the last sad scene of all, exchanging Attic courtesies with the unwilling instrument of his death.80
Nunc at viverra risus. In euismod quam ac dictum varius.
Nunc at viverra risus.